WORK
CURRENT EXHIBITIONS
创伤与创造
WOUNDS AND WONDERS
2024/10/01— 2024/11/30
展览信息
中国绍兴诗歌年代书店
2024年10月1日—11月30日
Exhibition Information
China Shaoxing Poetry Era Bookstore
1 October - 30 November 2024
LATEST WORKS
龙行天下 贺年插画
DRAGON ROAMING THE WORLD - NEW YEAR ILLUSTRATION
2024
一点灵香细，千年幻质明
空色无差别，灵芽未是奇
不随春草去，谁会岁寒枝
何处有，问答
须知此，腾云霄
破碎旧鹤笼，莫怕风浪
-Break the old crane cage, fear not the winds and wave-
RAINMAKING STUDIO wishes everyone a happy prosperous year of the Long.
数据忠诚
THE OBSERVER
2023
作为 Z 世代一族，我们对互联网和计算机科学的发展历程同样有着深切感受。方盒子一样的厚计算机、穿着鞋套小心进入的计算机室，甚至还有训练键盘输入的金山打字游戏，是我对计算机和互联网最亲切的一部分记忆。
随着科技的不断发展、我们经历着互联网和计算机几次跃迁，从高速互联网，2G 到 5G，基础计算到人工智能，全球联网到不同意识形态下的信息审查和信息攻击。到今天，观察和反思互联网和计算机科学对于现代生活的参与和交互，探寻人、科技、现代生活之间的连结和阻力，提出自己的思考，对我们来说既是一个重要的课题，也是一种使命。
As a member of Generation Z, we have a deep sense of the evolution of the Internet and computer science. Thick, square-box computers, computer rooms where you had to be careful to enter with shoe covers on, and even Kingsoft typing games for keyboard
training are some of my most intimate memories of computers and the Internet.
As technology continues to evolve, we have experienced several leaps and bounds in the Internet and computers, from high-speed Internet, 2G to 5G, basic computing to artificial intelligence, global connectivity to censorship and information attacks under different ideologies. Today, observing and reflecting on the participation and interaction of the Internet and computer science in modern life, exploring the connections and resistance between people, technology, and modern life, and putting forward my own thoughts is both an important topic and a mission for us.
点击访问项目网站|Click to visit the project website
Screen installations (Group I)
屏幕装置（组一）
2023
Screen installations (Group Ⅱ)
屏幕装置（组二）
2023
Screen installations (Group Ⅲ)
屏幕装置（组三）
2023
「佛」在这里作为现代性、科学和秩序的呼应，具有非常直接的视
觉效果，神圣和审判一体两面，凝视着信息社会。
黑与白，只是颜色的一种，不是对立，而是处理和变化。信息的中
立经过意识和技术的处理和筛选，可以呈现出截然不同的世界。他
们彼此印证，又如此割裂，如此不同。
"Buddha" here has a very direct visual effect as an echo of modernity,
science and order, where the sacred and the judgement are two sides of
the same coin, gazing at the information society.
Black and white, just one of the colours, are not opposites, but processed
and changed. The neutrality of information processed and filtered by
consciousness and technology can present very different worlds. They
corroborate each other and are so cut off, so different.
Experimental Images
实验影像
2023
阵痛
PAIN IN THE THROES
2023
在人类早期，由于没有足够的医疗手段来对抗疼痛，人们只能寻求其他力量，如哲学、文学、宗教和艺术。于是，在疼痛中诞生了灿烂的文化。艺术创造的“创伤”（traum）和“痛苦”（rausch）在身体和无痛之间架起了一座桥梁。
纵观艺术史，以疼痛为主题的艺术作品数不胜数。今天，有无数的疼痛患者在艺术中寻求慰藉，例如 PAINExhibit，这些关于疼痛的艺术作品将疼痛患者的感人力量展现得淋漓尽致，引发我们对疾病、艺术、身体疾病和公共生活的思考。
In the early days of mankind, as there were not enough medical means to combat pain, people had to seek other forces, such as philosophy, literature, religion and art, and thus a splendid culture was born out of pain. Art is more intuitive, has a wider audience, and is richer in beauty than philosophy and religion. The "traum" (traum) and "pain" (rausch) created by art builds a bridge between the body and the absence of pain.
Throughout the history of art, there have been countless works of art featuring pain. Today, there are countless pain sufferers who seek solace in art, such as PAINExhibit, artworks about pain that
bring to life the touching power of pain sufferers and provoke us to think about illness, art, physical illness and public life.
伤疤
（2023）
26.5cm x 37cm
仿人皮造型综合材料雕塑
氨纶布料、纸浆、硫化乳胶、棉线、丙烯颜料
Scars
（2023）
26.5cm x 37cm
Imitation Human Skin Modelling Mixed Material Sculpture
Spandex fabric, paper pulp, vulcanised latex, cotton thread, acrylic paint
Wounds
(2023)
26.5cm x 37cm
Mixed-media sculpture in the shape of human skin
Spandex fabric, paper pulp, vulcanised latex, cotton thread, acrylic paint, experimental fabrics
伤口
（2023）
26.5cm x 37cm
仿人皮造型综合材料雕塑
氨纶布料、纸浆、硫化乳胶、棉线、丙烯颜料、实验面料
PAIN IN THE THROES
（2023）
3840x2160
Experimental Images
Imitation human skin, cotton thread, acrylic paint，performance
阵痛
（2023）
3840x2160
实验影像
仿人皮、棉线、丙烯颜料、行为表演
Imitation human skin, cotton thread, acrylic paint，performance
PAST EXHIBITIONS
MEDICINE®
CONSCIOUSNESS，
2023
设计师捕捉了不同情绪图像，从影像融合中汲取灵感，在疫情时代，我们仍需要思考如何疗愈生活。
The designer captures different emotional images, drawing inspiration from the fusion of images that we still need to think about how to heal our lives in the age of epidemics.
MEDICINE®
PRESENCE，
2023
设计师捕捉了不同的生物存在图像，从不同的色彩变化中汲取灵感。在疫情时代，我们仍需要思考如何疗愈生活。
The designer has captured images of different creatures in existence, drawing inspiration from different colour variations. In times of epidemics, we still need to think about how to heal our lives.
MEDICINE®
CANLENDAR，
2023
125mmx70mm单月日历卡12张
230mmx138mm单页年历1张
用年历见证时光交替，拥抱每种思维和情绪。 在MEDICINE®中，设计师捕捉了不同的情绪图像和生物存在象征，从影像融合中汲取灵感或者从不同的色彩变幻中汲取灵感，将其制作成一本年历。
12 x 125mmx70mm single month calendar cards
1 x 230mmx138mm single page annual calendar
A calendar to witness the turn of time and embrace every thought and emotion. In MEDICINE®, the designer captures different emotional images and symbols of biological existence, drawing inspiration from the fusion of images or from different colour variations, to create a yearly calendar.
蝶
BUTTERFLY
2022
包含着精致衣裙、红色的痕迹、凝视、火焰和影像质感，被 [ 话语 ] 关在门后的诡异组合，形成不能被探视、无法被探视的图像组合。
Containing delicate dresses, traces of red, gazing flames and image textures, shut behind doors by [ words an eerie combination of images that cannot be explored, cannot be the combination of images that cannot be seen, cannot be seen.
oh！舞踏
OH!BUTOH
2022
这个项目源于身体的疼痛。白天和黑夜都是眩晕。这种看不见伤口的疼痛折磨着我。项目进行是新冠疫情肆虐，知道无数远方的人们也因此饱受折磨甚至丧失生命，我没有办法不感到痛苦，在骨头尖锐的阵痛之间，我依然还有渴望，去关心我之外的人们和世界。在所有黑暗里，我终于与舞踏相会。
This project stems from physical pain. It was vertigo by day and by night. The pain of this invisible wound tormented me. The project was carried out as the New Crown epidemic raged, and knowing that countless people from far away had suffered and even lost their lives as a result, there was no way I could not feel the pain, and between the sharp bouts of pain in my bones, I still had the desire to care for people and the world beyond me. In all the darkness, I finally met up with Dancing Tread.
在梦里，我看见一本巨大的流血的书横放在我面前，我凝望它、抚摸它，都不能缓解伤口的疼痛。醒来后我在日记中写下：“溃烂和疼痛，无法靠愿望平息。不能靠止痛药的伤口，所有人类的伤口，彼此凝望又彼此隔阂。”
In my dream, I saw a huge bleeding book placed across my face, and I gazed at it and touched it, neither of which could ease the pain of the wound. When I woke up, I wrote in my diary, "Festering and pain that cannot be quelled by wishing. Wounds that cannot be relieved by painkillers, all human wounds that stare at each other and are separated from each other."
Screen installations (Group I)
屏幕装置（组一）
2023